Wednesday, 20 June 2018

The Summer of Impossible Things by Rowan Coleman

Review by JJ Marsh

What We Thought:

Take a deep breath and suspend your disbelief.

This take on 'Back to the Future' has much charm and character, not least the setting of Brooklyn in two different eras. It's flawed, certainly, but the central idea comes through.

Luna and her sister Pia fly to Brooklyn from Britain after their mother's suicide. Officially, they have come to sell her house. Luna's instinct tells her the old house contains more than dust and spiders. Memories claim her, she assumes from family photographs and old stories. Then she meets Riss.

This is a story of wish fulfillment. Don't we all imagine we might be able to go back and change the past to affect the future? It has tension, mystery and some strong characterisations, but meanders and circles on occasion. One to read on the beach.

You’ll enjoy this if you like: Back to the Future, time travel, Saturday Night Fever

Avoid if you don’t like: Shifting realities, time slips, 1970s

Ideal accompaniments: Dr Pepper, popcorn and The Bee Gees

Genre: Women's Fiction

Available on Amazon

Wednesday, 13 June 2018

The Trick to Time by Kit de Waal

Reviewer: Catriona Troth

What We Thought:

The Trick to Time is a tender exploration of love and loss and the ways we find to come to terms with the unbearable.

Somewhere in a small English seaside town, an Irishwoman approaching her sixtieth birthday makes and sells beautiful dolls. The bodies of the dolls are wooden, turned and carved for her by a man referred to only as the carpenter. She dresses them in wonderful, individualised clothing and she sells them to customers all around the world.

But as well as these, there are also the special dolls. The ones ordered by women who come into the shop and whisper in her ear. The ones whose wooden bodies are made to a precise weight. The ones that are handed over to the customer, not in the shop but at the Irishwoman’s home.

As the present day story unfolds - Mona’s sixtieth birthday, her tentative relationship with Karl, a neighbour who shares her insomnia, an annual trip in November that holds special significance – so we learn more and more about her past history: her early life in Ireland, her move to Birmingham, meeting her husband. They are poor and life is tough, but they are very much in love. Then, on the night that the IRA blows up a Birmingham pub – their life is split apart by tragedy.

This is a difficult book to review because the things I most want to write about risk spoiling the pleasure of peeling back the layers of the story and uncovering its mysteries step by step. It’s a very different story to de Waal’s debut, My Name is Leon, but her delicate prose shines through in the same way, as does her ability to create sympathetic characters with real depth of humanity.

De Waal is a champion of working class writing. (She is the editor and instigator of the anthology Common People, shortly to be published on Unbound.) Her characters are ordinary people from ordinary working class backgrounds. Her gift is to write about them without cliché and without being patronising – something you only realise is rare (among British writers in particular) when you take a step back.

You’ll Enjoy This If You Loved: Stay With Me by Ayọ̀bámi Adébáyọ̀̀, My Counterfeit Self by Jane Davis, A Cupboard Full of Coats by Yvvette Edwards

Avoid If You Dislike: Stories that revolve around bereavement and loss.

Perfect Accompaniment: A cup of tea and the smell of freshly turned wood

Genre: Literary Fiction

Available on Amazon

Wednesday, 6 June 2018

Where My Heart Used to Beat by Sebastian Faulks

Reviewer : Gillian Hamer, author of The Charter, Closure, Complicit, Crimson Shore, False Lights & Sacred Lake (

This is an author I’d been meaning to read for some time and chose this book because I liked the historical element to the story. I must admit I fell in love with the writing style from page one, there was an easiness to the prose, almost a languid confidence that took the reader right to the heart of the action – be that WW2 trenches, 1940’s London or a Mediterranean island – without once tripping over the prose.

This book is cleverly constructed, it hops back and forwards, again with a confidence that carries the reader along in its presence. The protagonist is Robert Hendricks, an English doctor, whose memories of WW2 are a rich and varied story in themselves from tragic events to an intense love story, Hendricks is a walking novella. Add to the mix, his Mediterranean host, Alexander Pereira, and his tales of his time in WW1 with Hendrick’s father – a man who was a stranger to his son – and the trip through time becomes a gripping tale.

There’s so much to love here, and this is a writer who clearly loves his craft. The historical attention to detail was effortless. The characters sparkled with life and the narrative was clever and clinical and engaging throughout.

I’m so glad I took the plunge with this author and have already made plans for the next.

You’ll enjoy this if you like: Anthony Doerr, Ian McEwan, Rose Tremain.

Avoid if you don’t like: War stories and personal journeys.

Ideal accompaniments: Iced tea and salad Nicoise.

Genre: Contemporary

Available on Amazon

Wednesday, 30 May 2018

The Mermaid and Mrs Hancock, by Imogen Hermes Gower

Review by JJ Marsh

What We Thought:

Two earthly lives intertwine, drawn to each other by creatures of the sea.

In the 18th century, women must be either lucky or clever. Angelica Neal is a courtesan, experienced in the arts of love, protected by her madam until one client takes her under his protection.
Jonah Hancock is a Deptford merchant, risking all he has on sea voyages to Macau and Java to procure fine china and profitable cargo.

His captain returns, without his ship. He sold the Calypso for the most unusual curiosity. A dessicated, furious sea-sprite, the furthest removed from one's idea of a mermaid imaginable. Yet the dreadful husk strikes fear into the populace of London, drawing folk of all ages and social class to witness its death mask. Mr Hancock profits handsomely and finds himself drawn into a wholly different world. Mrs Chappell's 'nunnery' or well-regarded whorehouse wishes to host the mermaid for a week of revelries. Mr Hancock is guest of honour. Things do not go according to plan.

Historical fiction doesn't get much better than this. The author's sympathies with the lot of women and comprehension of class permeate every chapter. Limited opportunities, social judgement and the currency of beauty is a delicate balance for a woman with no means other than looks and intellect. The ladies refer to their genitals as 'the commodity'.

This book fascinates and wears its research lightly. Stays, pins, phaetons, milk-soaked sheaths and powder capes are as incidental as the weather. Yet the things-we-do-not-understand loom large over the novel.

Taking something from its rightful place will curse you and yours. Shifting from one status to another is fraught with difficulty. In the final analysis, one must feel content in one's confinement or be released.

Gower builds a London as it was, and a cast of characters so real, spiteful, snobbish, kindly, humble, capricious and arrogant, one cannot help but want more.

You'll like this if you enjoyed: Sarah Waters, Rosie Garland, Angela Carter

Avoid if you dislike: The grim injustice of the female situation in the 18th century.

Ideal Accompaniments: Millefeuilles and sweet wine, or freshly shucked oysters and brine.

Genre: Literary fiction, historical fiction

Available on Amazon

Connectedness (Identity Detective Book 2) by Sandra Danby

Reviewer: Liza Perrat, author of The Bone Angel trilogy (Spirit of Lost Angels, Wolfsangel, Blood Rose Angel) and latest release, The Silent Kookaburra.

What we thought: I absolutely adored this extremely well-written mystery-family saga. It’s the second in Sandra Danby’s Identity Detective series and I have not read the first (yet!), but this did not deter at all from my enjoyment.

Justine Tree, successful collage artist, asks identity detective Rose Haldane to search for the daughter she gave up for adoption in 1983.Will this terrible secret that Justine carries close to her heart threaten her art career?

The story is told mainly through Justine’s viewpoint, flitting effortlessly between present-day London’s art world to isolated Yorkshire, and the hot streets of Málaga, Spain in the early 80s, where Justine went to study art. And where she found love.

With her well-defined, sympathetic characters, layers of meaning, and sensual, all-engaging descriptions, the author takes us on a highly-emotional and gripping journey through the art world, exploring love, loss and human weakness, all coming together in a truly heartfelt conclusion.

Highly recommended to readers who enjoy a very well-written story.

You’ll like this if you enjoy: family mystery stories. Books by Maggie O’Farrell and Rachel Hore.

Avoid if you don’t like: emotional stories about love and loss.

Ideal accompaniments: jug of sangria and assorted tapas.

Genre: Literary women’s fiction.

Available on Amazon

Wednesday, 23 May 2018

Home Fire by Kamila Shamsie

Reviewer: Catriona Troth

What We Thought:

If Preti Taneja’s We That Are Young relocates Shakespeare’s King Lear to modern India, then Kamila Shamsie’s Home Fire takes as its inspiration an even older play – Sophocles’ Antigone – the tragic tale of a sister forbidden to bury the body of her rebel brother.

Like We That Are Young, Home Fire unfolds through a progression of points of view – two sisters of a brother induced to travel to Syria to work with the so-called Islamic State, the brother himself, the son of the British Home Secretary, and the Home Secretary.

Western media has been quick to paint all those who have been drawn into the net of the Islamic State as uniformly evil – and their families as either equally evil or ignorant dupes. Home Fire dares to look beyond the headlines at the human beings caught up in the apparently unending cycle of violence unleashed by terrorism and the ‘War on Terror.’

Layer upon layer, Shamsie peels back causes and connections, showing - but on a very human level - how ignorance and hatred on one side feed ignorance and hatred on the other. The actions of the terrorists cast the shadow of suspicion over every Muslim living in the West, affecting their daily lives in ways most of the rest of us never stop to think about. (Googling While Muslim, as the younger sister points out, is an activity fraught with risk, where you must avoid appearing curious about the ‘wrong’ sort of thing.) And on the other side, atrocities perpetrated in Abu Graib and Guantanamo become potent recruiting tools for the very terrorist organisations they were meant to defeat.

With an odd twist of prescience, Shamsie has created a Home Secretary who is UK’s first from a British Asian background – something which came to pass in real life while Home Fire was on the 2018 Bailey’s Prize shortlist. She nails some of the character and compromises that would be necessary to allow that to happen - the racist backlash that is unleashed the moment he appears compromised in the slightest way.

The final scene of the book is profoundly moving. Its central character is given a dignity in the face of impossible odds that mirrors that in the Greek tragedies that inspired it.

A powerful and important book that should be read by anyone wanting to find humanity beyond the headlines.

You’ll Enjoy This If You Loved: Burnt Shadows by Kamila Shamsie; Antigone by Jean Anouilh, The Golden Legend by Nadeem Aslam

Avoid If You Dislike: Looking beyond tabloid headlines about terrorism

Perfect Accompaniment: A mug of the best coffee you can find and a quiet corner to drink it in

Genre: Literary Fiction

Available on Amazon

Sight, by Jessie Greengrass

Review by JJ Marsh

What We Thought:

This was a tough one to like but eventually, I did. Greengrass allows her character to meander and ponder and consider the human condition in every aspect.

Relating the plot is pointless: a pregnant woman analyses herself, her reasons for wanting a second child, her reasons for wanting a first child, her inadequacies, her relationships with her own mother and psychoanalytical grandmother. She intersperses these reflections with other discoveries enabling insights into human beings. Röntgen, and the very first X-Ray of his wife's hand. He could see inside.

It's hugely introspective and at the same time inclusive, allowing the reader to develop thoughts and wander off on personal tangets. This book took far longer to read than the page count demanded.

The language arcs and swoops with such grace to leave one awed or occasionally confused.

'Revelation pended, the veil between myself and understanding was in a constant state of almost-rending, and I thought I could see shadows through it, the outlines of an as-yet uncomprehended truth, until all at once the mania crested and what came out of it, in place of elucidation, was agony, my head pinned in a vice, my body hanging limp below it, a disarticulated sack of bones and blood around which my limbs curled, stiff and liable to snap.'

Her analyses of other human-inspectors - Freud, Thompson, Röntgen - provides a wider perspective to this unnamed introvert as ballast to this vacillating between opinions, time and personal philosophy.

Stream-of-consciousness is a term often over-used and patronised, but here Greengrass uses it to best effect. Self-awareness is the only way to X-Ray the mind.

You'll enjoy this if you liked: Mrs Dalloway, Zoë Jenny, Scarlett Thomas

Avoid if you dislike: Self-examining narrators and lack of narrative

Ideal accompaniments: A fried egg, camomile tea and a still pond.

Genre: Literary fiction

Available on Amazon